HOW MUCH GAIN?



The signal from a microphone must be amplified before it can be recorded, broadcast, podcast, used in sound reinforcement, or interfaced with other audio equipment. This page addresses the question of how much amplification is needed. Below we will walk through a typical gain calculation.

First, let's start with a refresher course on decibels (dB, dBV and dBu):

Understanding dB

dB Calculation

We will begin with the following assumptions:

1. We need to amplify the mic's signal to a level of +4 dBu;

2. We are using a typical dynamic mic such as the Shure SM58;

3. We want to record speech/dialog at a distance of 24" with the mic mounted on a boom.

Acousticians have determined that conversational speech at a distance of three feet has a typical loudness of approximately 63 dB SPL. Sound Pressure Level (abbreviated SPL) refers to the acoustical loudness of sound waves and is not to be confused with electrical dB.

Using the following equation:

difference, dB = 20 * log (distance 1 / distance 2)

we can calculate the intensity of sound waves at other distances. At a distance of one foot the acoustical intensity of speech is 72 dB SPL. At one inch the intensity is 94 dB SPL.

The Pascal (Pa) is a unit which is used to measure pressure. Conveniently, 94 dB SPL  the acoustical sound pressure generated by speech at a distance of one inch  equals 1 Pa (Pascal). This greatly simplifies our calculations. Microphone sensitivity is often stated by manufacturers as dBV at one Pascal of sound pressure. This refers to the amount of electrical energy generated by a mic at one Pa (Pascal). The sensitivity of the Shure SM58 is given as -54.5 dBV/Pa. Keeping in mind that one Pascal is the sound pressure of speech at a distance of one inch, an electrical output of -54.5 dBV will be obtained from the SM58 when picking up speech at one inch.

Using the above equation we find that moving the mic further away, from one inch to three inches, results in an output level of approximately -64 dBV. To simplify our calculations we can use the rule that each doubling of distance between mic and talker requires an additional 6 dB of gain to achieve the same electrical output. Doubling the distance from three inches to six inches gives us an output of -70 dBV. Doubling the distance again to 12 inches results in -76 dBV, and another doubling to 24 inches results in an output level of -82 dBV. Thus, to achieve our desired level of +4dBu we will need 84 dB of gain when picking up conversational speech at a distance of 24 inches as the table below illustrates. The table also gives the amount of gain required for amplification to the "pro-sumer" line level of -10 dBV:

DistanceSpeech (acoustical
loudness, SPL)
Mic Output Level at 1 Pa
(Shure SM58)
Gain Required
for +4 dBu
Gain Required
for -10 dBV
1"94 dB SPL-54 dBV56 dB44 dB
3"84 dB SPL-64 dBV66 dB54 dB
6"78 dB SPL-70 dBV72 dB62 dB
12"72 dB SPL-76 dBV78 dB66 dB
24"66 dB SPL-82 dBV84 dB72 dB

Here are two papers from Shure Pro Audio dealing with mic sensitivity and gain changes:

Mic Sensitivity

Gain Changes


There is one stand-alone mic preamp of which I am aware and which I have used, with a gain specification of up to 83 dB. It is the AEA TRP
ribbon mic preamp. I have found the noise performance of this preamp to be excellent when used for distant micing. Despite its designation as a "ribbon mic preamp", the TRP can be used quite satisfactorily with dynamic mics and with condenser mics by utilizing an external phantom power supply. In addition, a number of mic mixers and consoles amplify mics into the 80+ dB region. This specification should be checked prior to purchasing a mic preamp, mixer or console.

To relate the above to digital audio, many prosumer USB and FireWire interfaces popular with professional and amateur musicians accept an unbalanced input of -10 dBV. This typically gives a digital amplitude of 0 dBFS.

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NOTE: Neither the Mic Listening Room nor its owner has a commercial or financial interest in the above product.